Tag Archives: literary theory

Wishing Shelf Book Awards Reviews THE RISK THEATRE MODEL OF TRAGEDY

Anonymous feedback for writers is valuable because there’s always the risk of failure, of a negative review. I’ve had my share of these, but not today. Thank you to UK literary awards WISHING SHELF for reviewing my book on literary theory. I’m particularly happy to see how their readers found the book approachable and recognized that approaching theatre from the perspective of risk works. Here’s what their assiduous readers had to say:
 
Title: The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected
Author: Edwin Wong
 
Readers’ Comments
‘Theatre analyzed in terms of risk! What a very clever way of looking at things. This author seems to be a very smart fellow. Intriguing.’ Male reader, aged 72
‘What I loved the most about this was how original it was. I read a lot of theatre-related books and this was totally different. The writing is concise and the author’s knowledge of the subject is apparent on every page.’ Female reader, aged 52
‘An interesting, thought-provoking look at classical theatre and risk and how modern theatre must find a way of relating to the modern audience. Although it’s rather wordy and a little re-reading was often in order, it was still a gripping read.’ Female reader, aged 61
‘A cleverly worked out theory on risk/tragedy in theatre and how the audience can connect to it.’ Male reader, aged 52
 
Star Rating: 4.5 Stars
Number of Readers: 17
Stats
Editing: 8/10
Writing Style: 7/10
Content: 9/10
Cover: 10/10
Of the 17 readers:
14 would read another book by this author.
17 thought the cover was good or excellent.
11 felt it was easy to follow.
14 would recommend this story to another reader to try.
Of all the readers, 12 felt the author’s strongest skill was ‘subject knowledge’.
Of all the readers, 5 felt the author’s strongest skill was ‘writing style’.
15 felt the pacing was good or excellent.
14 thought the author understood the readership and what they wanted.
 
To Sum It Up:
‘A thought-provoking look at tragedy in theatre. A FINALIST and highly recommended.’ The Wishing Shelf Book Awards
 
Until next time, I’m Edwin Wong, and I’m doing Melpomene’s work

NOVEMBER 2019 UPDATE – RISK THEATRE MODERN TRAGEDY COMPETITION

Stats, stats, stats!

THANK YOU assiduous playwrights for all your entries! Here are the vital statistics since the 2nd annual competition began five months ago. Twenty plays have come in from two continents (North American and Oceania) and three countries (USA, Australia, and Canada). Here are the country breakouts:

USA 17 entrants

Australia 2 entrants

Canada 1 entrant

Of the American entries, 13 are from the east and 4 are from the west. There is a concentration of dramatists in New York (11 entrants). Go New York! Australia is also off to a good start, already exceeding last year’s entries. Canada finally woke. A long way to go to hit the 182 entries from 11 countries from last year.

The breakdown between male and female entrants stands at 15 men and 5 woman. While the balance may seem to tilt towards male writers, in a historical context, the numbers are quite progressive: prior to the twentieth century, I only know of one tragedy written by a woman. That play is The Tragedy of Mariam, the Fair Queen of Jewry, written by Elizabeth Cary in 1613. The times, they are a changing!

Last month the https://risktheatre.com/ website averaged 12 hits a day. The top five countries clicking were: US, Canada, Australia, UK, and China. Most clicks in a day was 196 back in June 2018 when the contest launched. Best month was March 2019 with 2372 hits—that was when we announced the 2019 winners. All time views stand at 14,374 and growing. So far, so good for this grassroots competition!

My book: THE RISK THEATRE MODEL OF TRAGEDY: GAMBLING, DRAMA, AND THE UNEXPECTED (ISBN 978-1-5255-3756-1) hit the bookshelves in February 2019. To date, it has sold 940 copies. THANK YOU to everyone for supporting the book—all proceeds help fund the competition. The book won in the Readers’ Favorite Awards and the CIPA EVVY Awards.

Please ask your local library to carry this unique title. To date, the book can be found at these fantastic libraries: Brown University, Pasadena Public, Fargo Public, South Texas College, University of Bristol, University of Victoria, Greater Victoria Public, Richmond Public, Smithers Public, University of Colorado (Denver), Denver Public, McMaster University, Buffalo and Erie County Public, Rochester Public, Wheaton College, South Cowichan Public, Vancouver Public, Hillside Public (Hyde Park, NY), Scarsdale Public (NY), Indianapolis Public, Okanagan College (Penticton), and the Russian State Library. Let’s get a few more libraries on board! Reviews of the book can be found here:

http://theelementsofwriting.com/wong/

https://www.kirkusreviews.com/book-reviews/edwin-wong/the-risk-theatre-model-of-tragedy-gambling-drama-a/

https://www.broadwayworld.com/westend/article/Book-Review-THE-RISK-THEATRE-MODEL-OF-TRAGEDY-Edwin-Wong-20190626

https://www.forewordreviews.com/reviews/the-risk-theatre-model-of-tragedy/

There are the haters as well. Here’s a review that absolutely skewers risk theatre:

https://ormsbyreview.com/2019/11/28/670-goldfarb-wong-a-new-theory-of-tragedy/

Until next time, I’m Edwin Wong, and I’m doing Melpomene’s work.