Stats, stats, stats!
THANK YOU, assiduous playwrights, for entering! The 2021 competition is open to entries (https://risktheatre.com). 22 plays have come in from 2 continents (North American and Oceania) and 3 countries (USA, Australia, and Canada). 5 more months to go before the 2021 competition closes at the end of May. Here are the country breakouts:
Of the American entries, 16 are from the east and 4 are from the west. Of the entries from the east, 7 are from New York. Go New York!
The breakdown between male and female entrants stands at 13 men and 9 women. The 13:9 ratio is the closest the competition has come to equality in its first three years. Nice to see! Prior to the twentieth century, I only know of a handful of female tragedians: Elizabeth Cary (The Tragedy of Mariam the Fair Queen of Jewry, 1613), Hannah More (Percy, 1777), and Joanna Baillie (various plays and a theory of tragedy based on the emotions, nineteenth century). Thank you to assiduous reader Alex for writing in about More and Baillie.
Last month the https://risktheatre.com/ website averaged 9 hits a day. The top 3 countries clicking were: US, Canada, and Australia. Most clicks in a day was 287 on August 15, 2020 when we announced the 2020 winner: THE VALUE by Nicholas Dunn. Best month was March 2019 with 2372 when we announced the 2019 winner: IN BLOOM by Gabriel Jason Dean. All time views stand at 22,983 and growing. So far, so good for this grassroots competition!
My award-winning book, eBook, and audiobook (narrated by Coronation Street star Greg Patmore) THE RISK THEATRE MODEL OF TRAGEDY: GAMBLING, DRAMA, AND THE UNEXPECTED hit the bookshelves in February 2019 and has sold 2632 copies. A shout out to everyone for their support—all proceeds fund the competition. The book is a winner in the Readers’ Favorite, CIPA EVVY, National Indie Excellence, and Reader Views literary awards as well as a finalist in the Wishing Shelf award.
Please ask your local library to carry this exciting title. To date, the book can be found at these fantastic libraries: LA Public, Bibliothèque national de France, Russian State Library, Herzog August Bibliothek Wolfenbüttel, Senate House Library (London), Universitätbibliothek der Eberhard Karls (Tübingen), Brown University, CalArts, Palatine Public, Pasadena Public, Fargo Public, South Texas College, University of Bristol, University of Victoria, Greater Victoria Public, Richmond Public, Smithers Public, University of Colorado, Denver Public, McMaster University, Buffalo and Erie County Public, Rochester Public, Wheaton College, South Cowichan Public, Vancouver Public, Hillside Public (Hyde Park, NY), Scarsdale Public (NY), Indianapolis Public, Okanagan College, Concordia University, University of British Columbia (UBC), University of London, Wellesley Free, Tigard Public, Herrick Memorial, Gannett-Tripp, Charles J. Meder, Westchester College, Cambridge University, Fordham University, SUNY Cortland Memorial, SUNY New Paltz, SUNY Binghamton, Glendale Public, Benicia Public, Santa Clara County Public, Glendora Public, Cupertino Public, Milpitas Public, St. Francis College, Noreen Reale Falcone Library, Southern Utah University, Daniel Burke, Manhattan College, Humboldt County Public, Santa Ana Public, Azusa Pacific University, Biola University, CUNY, and Westchester Community. Let’s get a few more libraries on board! Reviews of the book can be found here:
Here are links to YouTube videos of me talking about risk theatre at NNPN and CAMWS panels:
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Don’t forget me, I’m Edwin Wong and I do Melpomene’s work.
sine memoria nihil