Risk Theatre Performing Arts Book Proposal
Four years ago, seventeen publishers shut the door on my book The Risk Theatre Model of Tragedy: Gambling, Drama, and the Unexpected. After a year of aporia, FriesenPress, the self-publishing arm of the printing behemoth Friesens Corporation, released it. Today, my second book, When Life Gives You Risk, Make Risk Theatre: Three Plays and Five Essays, is coming together. Let’s give the traditional publishers a knock on the door. Maybe the gatekeepers will be more receptive this time. This time, things are different. Before, risk theatre was unknown and untested. Now risk theatre is going from peak to peak. The name of the game is to keep going. Never stop.
Here’s the template of the pitch letter. It’s short (326 words). It gives them a reason to be excited (who doesn’t like a new arts movement?). It builds upon the successes of the previous book (it was a terrific stroke of luck for my little self-published book to get two glowing reviews in peer-reviewed theatre journals). Will it be enough?– Please…
I curate The Risk Theatre Modern Tragedy Playwriting Competition, the world’s largest competition for the writing of tragedy (risktheatre.com). The competition, now in its fourth year, is based on my self-published book: The Risk Theatre Model of Tragedy (2019). It presents a new theory of drama by arguing that downside risk is the dramatic fulcrum of the action in tragedy. Hundreds of playwrights (from sixteen countries, including some former Soviet republics) have entered the competition and the book has sold over 2700 copies. In the last two years, I have been invited to talk about risk theatre at the Kennedy Center, the National New Play Network, Working Title Playwrights (Atlanta), the Society of Classical Studies, the Classical Association of the Middle West and South, Marionet Teatro (Portugal), as well as many universities and theatres. Risk theatre is an exciting and growing twenty-first century arts movement.
To commemorate the fourth year of the playwriting competition, I have put together a compilation called: When Life Gives You Risk, Make Risk Theatre: Three Plays and Five Essays. Three finalist and winning playwrights have agreed to have their plays published. In addition, they will contribute new introductory essays discussing the significance of risk. The second half of the compilation consists of five essays I wrote applying risk theatre to the interpretation of plays from Aeschylus to Arthur Miller as well as to the novel.
Risk theatre is changing the way people look at the dramatic art form of tragedy. Would you be interested in participating in this exciting, bold, and important arts movement by publishing When Life Gives You Risk, Make Risk Theatre: Three Plays and Five Essays?
Attached are reviews of my first book from the peer-reviewed journals Theatre History Studies and NJ Drama Australia Journal. You may also see enthusiastic customer reviews of my first book at Goodreads and Amazon (links below).
Don’t hesitate to ask if you have any questions. I look forward to hearing from you.
NJ Drama Australia The Risk Theatre Model of Tragedy Gambling Drama and the Unexpected
– – –
Don’t forget me, I’m Edwin Wong and I do Melpomene’s work
sine memoria nihil