Stats, stats, stats!
THANK YOU assiduous playwrights for all your entries! Here are the vital statistics since the 2nd annual competition began nine months ago. Fifty-nine plays have come in from three continents (North American, Oceania, and Europe) and five countries (USA, Australia, Canada, UK, and NZ). The competition website is at risktheatre.com. Here are the country breakouts:
USA 51 entrants
Australia 3 entrants
Canada 2 entrants
United Kingdom 2 entrants
New Zealand 1 entrant
Of the American entries, 35 are from the east and 16 are from the west. There is a concentration of dramatists in New York (17 entrants). Go New York! Australia is also off to a good start, already exceeding last year’s entries. Canada finally awoke. There’s a long way to go to hit the 182 entries from 11 countries from last year.
The breakdown between male and female entrants stands at 38 men and 21 woman. While the balance may seem to tilt towards male writers, in a historical context, the numbers are quite progressive: prior to the twentieth century, I only know only a handful of female tragedians: Elizabeth Cary (The Tragedy of Mariam the Fair Queen of Jewry, 1613), Hannah More (Percy, 1777), and Joanna Baillie (various plays and a theory of tragedy based on the emotions, nineteenth century). The times, they are a changing! Thank you to assiduous reader Alex for writing in about More and Baillie.
Last month the https://risktheatre.com/ website averaged 24 hits a day. The top five countries clicking were: US, Canada, UK, Australia, and Germany. Most clicks in a day was 196 back in June 2018 when the contest launched. Best month was March 2019 with 2372 hits—that was when we announced the 2019 winners. All time views stand at 16,562 and growing. So far, so good for this grassroots competition!
My book THE RISK THEATRE MODEL OF TRAGEDY: GAMBLING, DRAMA, AND THE UNEXPECTED (ISBN 978-1-5255-3756-1) hit the bookshelves in February 2019. To date, it has sold 1103 copies. THANK YOU to everyone for supporting the book—all proceeds help fund the competition. The book is a winner in the Readers’ Favorite, CIPA EVVY, National Indie Excellence, and Reader Views literary awards. The audiobook, performed by Greg Patmore of Coronation Street, will be released next month.
Please ask your local library to carry this unique title. To date, the book can be found at these fantastic libraries: Brown University, Palatine Public, Pasadena Public, Fargo Public, South Texas College, University of Bristol, University of Victoria, Greater Victoria Public, Richmond Public, Smithers Public, University of Colorado (Denver), Denver Public, McMaster University, Buffalo and Erie County Public, Rochester Public, Wheaton College, South Cowichan Public, Vancouver Public, Hillside Public (Hyde Park, NY), Scarsdale Public (NY), Indianapolis Public, Okanagan College (Penticton), Concordia University, University of British Columbia (UBC), University of London, Wellesley Free, Tigard Public, Herrick Memorial, Gannett-Tripp, Charles J. Meder, Westchester College, Cambridge University, Fordham University, SUNY Cortland Memorial, Russian State Library, SUNY New Paltz, SUNY Binghamton, Glendale Public, Benicia Public, Santa Clara County Public, Glendora Public, Cupertino Public, Milpitas Public, St. Francis College, Noreen Reale Falcone Library, Southern Utah University, Daniel Burke, Manhattan College, Humboldt County Public, and Westchester Community. Let’s get a few more libraries on board! Reviews of the book can be found here:
https://www.forewordreviews.com/reviews/the-risk-theatre-model-of-tragedy/
Drama Australia National Journal (NJ) Reviews THE RISK THEATRE MODEL OF TRAGEDY